Tag Archives: ramayana

Happy Diwali – Lord Rama comes home

         Diwali is celebrated with great excitement and festivity in India. The day marks the return of Lord Rama to his capital Ayodhya with his wife Sita, brother Lakshmana and Hanuman, the leader of his vanarasena or monkey army after his win in battle over Ravana, the lord of Lanka.After the battle between Lord Rama and Ravana, Ravana was ultimately killed by Rama and Vibhishana, his brother was made the king of Lanka. It is recalled that the city was lit with thousands of lamps on his return.

Related image

Every year this day is commemorated across India. This is as mentioned in the epic Ramayana, the part of the story from Uttarakanda, the final chapter in the epic tale by Sage Valmiki. Lord Rama comes back in his Pushpakvimana to be coronated as king to Ayodhya. Presented here are some amazing depictions of the return of Rama and his coronation which led to his rule of thousand years also called Ramarajya, a glorious rule.

 

File:Rama Returns in Victory to Ayodhya, Pahari, Kangra, Fitzwilliam Museum.jpg

Lord Rama starting to return to Ayodhya, Kangra miniature, late 18th century, The Fitzwilliam Museum, Cambridge, U K.

       The Pushpakvimana has been described as a self-moving painted car, which was large with two storeys and few chambers in it, also with flags and colourful banners, and gave a melodious sound as it made its way across the sky.

Pushpakviman.jpg

Shri Ramachandra or Lord Rama seen on Pushpakvimana with his wife Sita, brother Lakshmana, Hanuman and others, print, Modern Litho Works, Bombay , early 20th century.

The Uttarakanda narrates that Lord Rama reached the kingdom of Ayodhya along with Lakshmana, Sita, Hanuman, Sugriva, Vibhishana and the host of monkeys.  After he reaches his kingdom, his brother Bharata who has waited from him to come back restores the kingdom to his elder brother. After that the preparations for the actual coronation begin;  royal barbers are called and Lord Rama and Lakshmana are bathed, shorn of their matted locks and dressed in splendid robes; Dasharatha’s queens deck Sita with  jewellery  and the priests give orders for the coronation to take place.

 

File: Rama returns to Ayodhya.jpg

Return of Lord Rama, miniature painting, Sahib Din, 17th century, British Library, London, U.K.

”Making use of Ravana’s flying chariot, the exiles have left Lanka and flown swiftly northwards, the directional imperative now being from right to left. Reunited with Bharata and Shatrughna, who have kept Rama’s kingdom for him during the fourteen years of exile, they enter Ayodhya in triumph. They drive through the bazaars with their festive hangings to the palace where they are received by their mothers. Even Kaikeyi is forgiven. The monkey king Sugriva, his minister Hanuman and the other chief monkeys have assumed human form. Rama’s coronation begins his auspicious reign, a truly golden age for mankind – Ram-raj , Rama’s rule”…The British Library.

File:Rama-coronation.jpg

Return of Lord Rama in a pushpaka vimana and preparations for his coronation, miniature painting,  Mewar, Rajasthan, 17th century.

      The Uttarakanda further narrates that Lord Rama as king was visited by many sages from far and near,they came from east and west and north and south, led by Sage Agastya, and Lord Rama venerated them and provided them with seats of sacrificial grass and gold-embroidered deer-skin. Then the sages praised him as he had won the battle and also slain  Ravana, the sons of Ravana, and had delivered men and gods from fear.

File:Rama-Sita coronation.jpg

Lord Rama’s as King of Ayodhya, artwork, 1940s.

'Woman Holding Fireworks', India, 19th century, Honolulu Museum of Art, 3269.1.JPG

Woman holding sparklers, India, 19th century, Honolulu Museum of Art, U S A.

 

References:

  • vyasaonline.com
  • Images are from Wikimedia Commons, freepik.com (lamps image)

 

 

Posted by :

Soma Ghosh

©author

 

 

 

Wheels in art : some chariot images

 

Chariots have been an important aspect of warfare and have been used from very remote times. The Rigveda cites chariots and so does the Atharvaveda. Initially the fighter and charioteer used to be the same. Later the Brahmana texts mention the rathakaras ie. the chariot-keepers. The great Indian epics, the Mahabharata and the Ramayana mention charioteers accompanying the kings during combat. The most well known charioteer was Lord Krishna to Arjuna in the Kurukshetra war of the Mahabharata. Charioteers needed  certain skills and were referred to by various names like the sarathi,rathin, suta etc. His duty was to manage and lead a chariot during war and obey the warrior on the chariot. He needed amazing skill in being able to advance quickly, turning and wheeling quickly and making circles.

Chanakya’s Arthashastra mentions a special officer to supervise the chariots and train the warriors. Chariots were also drawn by ox,mule and asses in case horses were not available. Chariots were of different types. Chariots which were used during war, chariots for training, chariots in daily life for conveyance etc. Chariots could be two-wheeled,four wheeled and eight wheeled. Chariots had their banners, flag-pole with dhwaja or ketu having symbols of animals, trees, flowers etc. The chariots had umbrellas and fans too. The use of chariots declined by the 7th century A.D as evident from the literary sources; not mentioning the chariot any more.

Some chariot depictions from Indian and Thai art are showcased ; the Great Stupa at Sanchi in Madhya Pradesh, temple built by the majestic Cholas in Tamil Nadu, the grand Surya Deul built by a Eastern Ganga dynasty king at Konark, Odisha, paintings on paper from Rajasthan,mural from Bangkok etc.

The Great Stupa at Sanchi in Madhya Pradesh was originally commissioned by Emperor Ashoka in the 3rd century B.C. and more structures were added to it over time. The stupa is a hemispherical brick structure built over the relics of the Buddha.The stupa has four toranas. Scenes from Lord  Buddha’s life and Jataka tales are carved on the toranas and the stupa complex.

image001

Carvings on the west pillar (chariot can be seen) of the North torana or gateway at Sanchi Stupa, Madhya Pradesh, India.

By Bernard Gagnon (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons.

Subhadra is a character from Mahabharata who is the sister of Lord Krishna and Balarama. She was suggested as bride to Duryadhona by Balarama but Krishna wanted her to choose Arjuna. Being unsure that she would choose Arjuna, Lord Krishna urges Arjuna to kidnap her. Balarama though annoyed initially , later agrees and the marriage is conducted, as per the legend.

image006

Subhadra, half sister of Lord Krishna driving away in a chariot with Arjuna,lithograph, India.

By Original uploader was Sridhar1000 at te.wikipedia – Transferred from te.wikipedia; transfer was stated to be made by User:Fatbuu., Public Domain, https://commons.wikimedia.org/w/index.php?curid=18636394

The Kurukshetra war is a part of the Indian epic Mahabharata, between  two groups who are cousins, the Pandavas and the Kauravas over agame of dice, for the throne of Hastinapura. They belonged to the Kuru clan. The war is said  to have lasted for eighteen days. The Mahabharata is dated to probably  around 3000 BC. The use of the chariot is evident from the art works created about the war. Lord Krishna was the charioteer to Arjuna; the Bhagavadgita being the advice given to him on the battlefield.

image007

Painting depicting the Kurukshetra war from the Mahabharata. Arjuna who is one of the Pandavas is in the chariot behind Krishna facing Karna, commander of the Kaurava army, painting from Kashmir or  Himachal Pradesh, India.

By Artist/maker unknown, India, Himachal Pradesh or Jammu and Kashmir – http://www.philamuseum.org/collections/permanent/70158.html, Public Domain,

https://commons.wikimedia.org/w/index.php?curid=8020925

image009

Bundi or Kota opaque watercolour and gold on paper painting, depicting the battle scene between Arjuna and Karna from the Mahabharata, 18th century, Rajasthan, India.

By Indian, Rajasthani, about 1740 –

http://www.mfa.org/collections/object/obverse-the-slaying-of-the-demon-pralamba-reverse-the-fight-between-arjuna-and-karna-149742, Public Domain, https://commons.wikimedia.org/w/index.php?curid=18851070

Dronacharya or Guru Drona was teacher to the Kauravas and Pandavas; son of sage Bharadwaja who trained them in advanced military arts. His favourite pupil was Arjuna, who was most dedicated and talented; to him he taught the use of special astras or weapons.

image015

Illustration from a book ,Dronacharya riding in a chariot, scene from the Mahabharata, India.

By Ramanarayanadatta Sastri – http://archive.org/details/mahabharata04ramauoft, Public Domain, https://commons.wikimedia.org/w/index.php?curid=21170710

image018

Illustration from a manuscript of the Kurukshetra war from the Mahabharata, probably 18th century, India.

Public Domain, https://commons.wikimedia.org/w/index.php?curid=619546

image019

Gods look down upon the battle of Kurukshetra between the Pandavas and Kauravas, painting,16th century, India.

By Unknown – http://www.warfare.altervista.org/Moghul/16thC/Arjuna_vs_Kauravas-Bhagavad_Gita-large.htm, Public Domain, https://commons.wikimedia.org/w/index.php?curid=18636412

The Ramayana, a great epic of India written by Sage Valmiki which narrates the life of Lord Rama. The epic is divided into seven books called kandas. The characters of Rama, Sita, Lakhman, Bharata, Hanuman and Ravana are central to the story. There are versions of Ramayana in countries like Thailand, Malaysia, Nepal, Sri Lanka, Indonesia and also Buddhist and Jaina adaptations.

image021

Hanuman , scene from the Ramakien(Thai Ramayana) depicted on a mural at Wat Phra Kaew, Temple of the Emerald Buddha, 1800, Thailand, Bangkok.

By Jpatokal – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=662542

The Rigvedic Gods Surya and Agni ride in chariots. Chariots have been depicted and documented not only in literature but alos on stupas; example as in Sanchi stupa in Madhya Pradesh. Chariots used by the Magadha king Ajatashatru had blades extending horizontally from each end of the axle during 475 B.C . Chariots were called ratha in India and can be seen in paintings and temples across India.

As mentioned ratha or chariots were of different types; the sangramik ratha for wars,deva ratha for the Gods, the Karni ratha for queens, the Vainayik ratha for training, the pushya ratha for royal processions and the kreeda ratha for races and competitions.

The temple at Konark; the sun temple or Surya Deul was built by the Eastern Ganga dynasty by King Narasimhadeva I in the thirteenth century. The entire temple complex is in the shape of a chariot  of the sun God Surya, having 24 carved wheels, being pulled by seven horses. The temple is known for its exquisite carvings.

image012

Sun temple at Konark, in the form of a chariot, Odisha, India

By Anshika42 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21548009

image014

One of the wheels of the Sun temple, Konark, Odisha

By Asitmonty, CC0, https://commons.wikimedia.org/w/index.php?curid=31965266

The Cholas have built great temples like the ones at Thanjavur, Gangaikonda, Cholapuram and Darasuram between the 10th and 12th centuries. Darasuram near Kumbakonam at Thanjavur district of Tamil Nadu has the Airavateswarara temple built by Rajaraja Chola II. As per legend Indra’s elephant Airavata worshipped Lord Shiva at this temple. Yama is also said to  have worshipped the deity Airavateswarar who cured him of a curse of a sage. The temple is rich in art; the main mandapa is called Raja Gambira as the elephant draws the chariot. Other beautiful carvings include a  ceiling carving of Shiva and Parvathi inside an open lotus and dance postures of Bharatanatyam.

image003

An exquisite chariot carved onto the mandapa of Airavateswarar temple,Darasuram, 12th century, Tamil Nadu, India.

By User:Ravichandar84, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=26052023

 

References :

 

 

Posted by : Soma Ghosh